FACILITY CATEGORIES Commercial / Promo Facility of the Year This award will be given to the Commercial/Promo Sound Facility that is deemed to have delivered the most interesting, challenging or creative work throughout the year. Film Mix Facility of the Year This award will be given to the Film Sound Facility that is deemed to have delivered the most interesting, challenging or creative work throughout the year. (It includes ADR, foley or mixing studios) Sound Design & Editorial Facility New for 2010. For either film, TV or commercials. This award recognises a company whose predominant activity is in Sound Design and/or editorial. The award will recognise the team and the body of work. For either film, tv or commercials. TV Mix Facility of the Year This award will be given to the TV Sound Facility that is deemed to have delivered the most interesting, challenging or creative work throughout the year. Sponsored by Scrub
 INDIVIDUAL CATEGORIES Film Re-Recording Mixer of the Year This award recognises the UK’s best re-recording mixer working in Film. Sponsored by Avid
 Film Sound Editor of the Year This award is given to a person based in the UK (i.e. UK resident) that recognises his/her excellence in the field of Film. The judging panel will take into consideration a number of factors such as: career and quality of work, contribution to the craft and audio profession. The following professions within the Film industry can apply: editor, designer, dialogue editor, supervising sound editor Sponsored by Pinewood
 Most Promising Newcomer This award recognises the most promising new British talent in the audio post-production industry in any field. This person must have been involved in the creative side of the industry for less than 3 years. This award will be determined by the audio committee. TV Dubbing Mixer of the Year This award recognises the UK’s best dubbing mixer working in TV. TV Sound Editor of the Year This award is given to a person based in the UK (i.e. UK resident) that recognises his/her excellence in the field of television. The judging panel will take into consideration a number of factors such as: career and quality of work, contribution to the craft and audio profession. The following professions within the TV industry can apply: editor, designer, dialogue editor, supervising sound editor. UK Screen Fellowship Award This premier award will be presented to a person who has made an outstanding contribution to the UK sound industry. This award will be determined by the audio committee. Sponsored by Dolby
 Unsung Hero Award This award will be voted for by the readers of Audio Media magazine and will reward a UK based industry person that fails to get recognised – this is their chance! AUDIO WORK CATEGORIES Audio on TV Drama The winner of this award will be a programme that has shown audio excellence in TV drama. This category is open to both British and International TV drama providing that the audio post-production has (in full or part) been carried out in the UK. Audio on TV Entertainment The winner of this award will have shown audio excellence in a British or International TV entertainment programme where the audio post-production has (in full or part) been carried out in the UK. Audio on TV/Film Documentary The winner of this award will be a programme that has shown audio excellence in a British or International TV or Film documentary where the audio post-production has (in full or part) been carried out in the UK. Commercial / Promo of the Year (under 90 seconds for broadcast, cinema or online) The winner of this award will have shown creativity and technical use of sound in a TV or cinema commercial. This category is restricted to audio-visual commercials and excludes radio commercials. Film Soundtrack of the Year – over £10 million This award recognises sound excellence in a high budget feature film (>£10m) where the audio post-production has (in full or part) been carried out in the UK. Film Soundtrack of the Year – under £10 million This award recognises sound excellence in a low budget feature film (<£10m) where the audio post-production has (in full or part) been carried out in the UK.
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